Renée Tatum

Noted for her “commanding and dramatic presence” (Noticias de la Ópera), mezzo-soprano Renée Tatum is rapidly gaining critical acclaim on the most prestigious opera stages in the United States. Tatum begins the 2019-20 season as Flosshilde in Wagner’s Götterdämmerung with The National Theater in Taiwan, followed by her role debut as Kundry in Parsifal for Indiana University Opera Theatre. She also returns to The Metropolitan Opera as the Third Lady in The Flauta mágica, makes her role debut as Amneris in Aida with Pensacola Opera, and joins Boston Lyric Opera for Giulio Cesare. On the concert stage, she joins the South Bend Symphony Orchestra for Mahler Symphony No. 2 and The Masterworks Chorale for Beethoven’s Missa Solemnis.

In the 2018-19 season Tatum returned to The Metropolitan Opera for Nico Muhly’s Marnie, for the Waltraute and Flosshilde in Robert LePage’s famed El anillo de los nibelungos, with the Savannah Philharmonic for Mahler’s Resurrection Symphony and The Ceclia Chorus of New York City in Brahms’ Alto Rhapsody.

She has recently been heard as Flosshilde and Waltraute in San Francisco Opera’s El anillo de los nibelungos, Flosshilde in Das Rheingold at The Tanglewood Festival, Francisca in West Side Story at Grand Tetons Music Festival with Donald Runnicles, Jenny in Threepenny Opera for Boston Lyric Opera, and as a Flower Maiden in Parsifal at The Metropolitan Opera with new Music Director Yannick Nezet-Seguin. Concert performances included Penderecki’s Credo with Indianapolis Symphony, Durufle’s Réquiem with Back Bay Chorale, Bach’s Christmas Oratorio with The Cecelia Chorus of NYC. She was also heard in concert with Warren Jones at Manchester Music Festival and in a concert presentation of Das Rheingold with New York Philharmonic. Other recent performances include the role of Gabriele Bertolier for the Romanti Century’s production of Van Gogh’s Ear a The Pershing Square Signature Center in New York City and a concert entitled “Opera Italiana Forever Young” for Central Park Summer Concerts.

Previously she was heard as Flosshilde in Gotterdammerung in her return to Houston Grand Opera and at National Taichung Theatre; Olga in Eugene Onegin with Boston Youth Symphony; Handel’s Mesías with Pacific Symphony; Beethoven’s Missa solemnis with Pacific Chorale; Mozart’s Réquiemwith Omaha Symphony and Rochester Philharmonic; and Beethoven’s Sinfonía No. 9 with San Diego Symphony. Additionally, she has been heard as Suzuki in Madama Butterfly with Toledo Opera, Flosshilde and Waltraute for Washington National Opera, Flosshilde in Gotterdammerung with Teatro Massimo di Palermo, Second Lady in Julie Taymor’s Flauta mágica at The Metropolitan Opera, Third Lady in Flauta mágica and Grimgerde in Die Walkure at Houston Grand Opera. Ms. Tatum also joined an international cast in Japan as Flora in Verdi’s La traviata, sang in Mahler’s Resurrection Symphony and Mozart’s Réquiem with The Eastern Music Festival, and in Beethoven’s Sinfonía No. 9 with The Boston Symphony Orchestra at The Tanglewood Music Festival.

Additional concert appearances include Salomé with Andris Nelsons and the Boston Symphony Orchestra, Mozart’s Réquiem with Music Director Daniel Stewart and Santa Cruz Symphony, and Beethoven’s Sinfonía No. 9 with conductor Daniel Wachs and Orange County Philharmonic Society.